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The Snapshot features a colorblocked design, our signature J Marc hardware, a double zip compartment, and a removable and adjustable webbing strap. This classic crossbody bag is big enough to hold what you need, small enough to carry anywhere.​\u003cbr\u003e\u003c\/p\u003e","brand":"MARC JACOBS","offers":[{"title":"Default Title","offer_id":42375186219078,"sku":"","price":325.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0594\/8339\/0022\/files\/MJI_M0012007_136_F8F8F8_4-5_MAIN.webp?v=1734374297"},{"product_id":"the-jacquard-medium-tote-bag","title":"The Jacquard Medium Tote Bag","description":"\u003cp\u003eThe Medium Tote is crafted in our most deluxe fabric, woven jacquard. A chunky top zip closure, one slip pocket, one card slot and the namesake branding make the medium tote perfect for elevated style every day. Carry yours by the top handles or attach the adjustable, removable crossbody strap for hands-free styling. 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Part of THE™ collection. test \u003cbr\u003e\u003c\/p\u003e","brand":"MARC JACOBS","offers":[{"title":"Default Title","offer_id":42375209156678,"sku":"","price":195.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0594\/8339\/0022\/files\/MJI_2S4SMN080S02_001_F8F8F8_4-5_ALT1.webp?v=1734727501"},{"product_id":"black-the-kiki-knee-high-tall-boots","title":"Black 'The Kiki Knee-High' Tall Boots","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eKnee-high buffed leather boots in black.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e· Pin-buckle straps at vamp\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e· Zip closure at inner side\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e· Buffed leather lining\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e· Covered block heel with rubber injection\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e· Covered platform midsole\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e· Leather sole\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e· Platform: H2.5\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e· Heel: H6.25\"\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"MARC JACOBS","offers":[{"title":"10","offer_id":43144242167878,"sku":"","price":595.0,"currency_code":"USD","in_stock":false},{"title":"7","offer_id":43147107041350,"sku":null,"price":595.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0594\/8339\/0022\/files\/mj1.jpg?v=1734374901"},{"product_id":"painting-volume-ii-zine","title":"\"Painting\" (Volume II) Zine","description":"\u003cp\u003e\u003cspan\u003eProduced on the occasion of:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci data-stringify-type=\"italic\"\u003eTom Sachs: \"Painting\" (Volume II)\u003c\/i\u003e\u003cbr\u003e\u003cspan\u003eSeptember 7 - October 10, 2024\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThaddaeus Ropac Paris Marais\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7 Rue Debelleyme\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e75003 Paris\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFrance\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan aria-label=\"\" class=\"c-mrkdwn__br\" data-stringify-type=\"paragraph-break\"\u003e\u003c\/span\u003e\u003cspan\u003ePublication © 2024\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAll artwork © Tom Sachs\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDesigned by Tom Sachs and Titus McBeath\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEdited by Titus McBeath and Stephen Lau\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePhotography by Genevieve Hanson, Mario Sorrenti and Titus McBeath\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan aria-label=\"\" class=\"c-mrkdwn__br\" data-stringify-type=\"paragraph-break\"\u003e\u003c\/span\u003e\u003cspan\u003eEssay by Naomi Fry\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan aria-label=\"\" class=\"c-mrkdwn__br\" data-stringify-type=\"paragraph-break\"\u003e\u003c\/span\u003e\u003cspan\u003e12 H x 9 W inches\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e60 color pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan aria-label=\"\" class=\"c-mrkdwn__br\" data-stringify-type=\"paragraph-break\"\u003e\u003c\/span\u003e\u003cspan\u003ePrinted and bound by Bestype\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e285 W Broadway\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNew York, NY 10013\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eISBN#: 978-1-955019-02-6\u003c\/span\u003e\u003c\/p\u003e","brand":"Mike Test Seller 3","offers":[{"title":"Default Title","offer_id":42375265943622,"sku":"","price":75.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0594\/8339\/0022\/files\/tsd1.jpg?v=1734377886"},{"product_id":"macbook-bag-white","title":"MacBook Bag (White)","description":"\u003cp\u003e\u003cspan\u003eThe Macbook Bag you always wanted… improved. It’s lightweight, water resistant, and subtly padded to help bring your device more places.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMade out of Dyneema, a stronger than steel waterproof and extremely lightweight non-woven composite fabric.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe bag has an easy access front compartment to safely store all your tech accessories and your daily essentials. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDesigned to accommodate a MacBook Air, MacBook Pro 13” and MacBook Pro 14”. Also fits an iPad Pro 12.9”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEach MacBook Bag features: \u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eStudio standard embroidered Ten Bullets Patch \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eThree hand made English porcelain beads threaded with braided nylon thread\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eReinforced bottom made out of a closed foam cell sandwich with a strip of high density polyethylene for rigidity, structure, \u0026amp; protection \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eHigh quality PVD plated solid brass ½” swivel snaps for a secure and smooth strap connection\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e#5 YKK waterproof zippers to protect the inside contents\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eInternal nylon paracord coreless key loops \u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eEach bag comes with a black ¾” wide premium herringbone nylon webbing strap. Strap length offers a transition between shoulder and cross-body bag.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCustom made for Tom Sachs by MAFIA Bags in the USA. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWeight: 0.35 lbs \/ 152 grams\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDimensions: 13.5 H x 10 W x 1.75 D inches\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eS\/N: 2022.236\u003c\/span\u003e\u003c\/p\u003e","brand":"TOM SACHS","offers":[{"title":"Default Title","offer_id":42375270957126,"sku":"","price":275.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0594\/8339\/0022\/files\/ts1.jpg?v=1734376857"},{"product_id":"painting-sticker","title":"\"Painting\" Sticker","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eProduced on the occasion of:\u003c\/span\u003e\u003cbr\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eTom Sachs: \"Painting\"\u003c\/span\u003e\u003c\/i\u003e\u003cbr\u003e\u003cspan style=\"font-weight: 400;\"\u003eJanuary 17 - February 24, 2024\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-weight: 400;\"\u003eThaddaeus Ropac Paris Marais\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-weight: 400;\"\u003e7 Rue Debelleyme\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-weight: 400;\"\u003e75003 Paris\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-weight: 400;\"\u003eFrance\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eHigh quality silkscreen die-cut vinyl sticker.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWeatherproof (UV and water-resistant)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMeasures 3” x 3”\u003c\/span\u003e\u003c\/p\u003e","brand":"TOM SACHS","offers":[{"title":"Default Title","offer_id":42375284424774,"sku":"","price":55.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0594\/8339\/0022\/files\/tsc1.jpg?v=1734377049"},{"product_id":"tom-sachs-painting-zine","title":"Tom Sachs \"Painting\" Zine","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eProduced on the occasion of:\u003c\/span\u003e\u003cbr\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eTom Sachs: \"Painting\"\u003c\/span\u003e\u003c\/i\u003e\u003cbr\u003e\u003cspan style=\"font-weight: 400;\"\u003eJanuary 17 - February 24, 2024\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-weight: 400;\"\u003eThaddaeus Ropac Paris Marais\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-weight: 400;\"\u003e7 Rue Debelleyme\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-weight: 400;\"\u003e75003 Paris\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-weight: 400;\"\u003eFrance\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ePublication © 2024\u003cbr\u003e\u003cspan style=\"font-weight: 400;\"\u003eAll artwork © Tom Sachs\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eEdited by Titus McBeath and Meghan Masius\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-weight: 400;\"\u003eDesign by Tom Sachs\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-weight: 400;\"\u003ePhotography by Genevieve Hanson, Mario Sorrenti, Tom Sachs and Titus McBeath\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEssay by Dakin Hart\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e12 H x 9 W inches\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-weight: 400;\"\u003e64 color pages\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ePrinted and bound by Bestype\u003cbr\u003e\u003cspan style=\"font-weight: 400;\"\u003e285 W Broadway\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-weight: 400;\"\u003eNew York, NY 10013\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-weight: 400;\"\u003eISBN#: 978-1-955019-08-8\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e500 color copies\u003c\/p\u003e","brand":"TOM SACHS","offers":[{"title":"Default Title","offer_id":42375308148806,"sku":"","price":175.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0594\/8339\/0022\/files\/tsb1_ca4b7eba-653b-4a94-9d4a-dc87baaaeac6.jpg?v=1734377580"},{"product_id":"bbc-suede-shearling-jacket","title":"BBC Suede shearling Jacket","description":"\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eShearling and suede jacket.\u003c\/span\u003e\u003c\/p\u003e","brand":"BILLIONAIRE BOYS 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Title","offer_id":42556638101574,"sku":"","price":1000.0,"currency_code":"USD","in_stock":true}]},{"product_id":"jordan-unc-1983","title":"JORDAN UNC 1983","description":"\u003cp\u003eTest Product Descriptio\u003c\/p\u003e","brand":"Mike Test Seller 3","offers":[{"title":"18","offer_id":42567022215238,"sku":"","price":200.0,"currency_code":"USD","in_stock":true}]},{"product_id":"air-force-1-low-pilot-case","title":"Air Force 1 Low LOUIS VUITTON","description":"\u003cp\u003eTest Square Image\u003c\/p\u003e","brand":"LOUIS VUITTON X NIKE","offers":[{"title":"Default Title","offer_id":42599620771910,"sku":"999999","price":475.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0594\/8339\/0022\/files\/JP0225078_01.png?v=1741890607"},{"product_id":"mike-lot2","title":"Mike Lot2","description":"","brand":"MIKE X SUPREME","offers":[{"title":"Default Title","offer_id":42791962214470,"sku":"","price":1100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0594\/8339\/0022\/files\/Warhol-WAR-0002-Photo-Edition-for-Parkett-white-framed.jpg?v=1743183477"},{"product_id":"order-fee-2-9","title":"Order Fee (2.9%)","description":null,"brand":"Joopiter22 Local","offers":[{"title":"Order Transaction Fee","offer_id":42885398822982,"sku":null,"price":2.9,"currency_code":"USD","in_stock":true}]},{"product_id":"mkt-easy-otabor-record-crate","title":"Record Crate","description":"\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eFully assembled record crate made of pine plywood with a water-based lacquer finish and stainless steel hardware. \u003cstrong\u003eDesigned to fit standard 12” vinyl records\u003c\/strong\u003e, the piece features Sachs’ signature circular cutouts and sculptural utility. Each crate includes a hand-engraved, sequentially numbered edition plate. Edition of 100. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eOriginally exhibited in \u003ca rel=\"noopener\" href=\"https:\/\/www.tomsachs.com\/exhibitions\/furniture\" target=\"_blank\"\u003eTom Sachs: Furniture\u003c\/a\u003e , presented by \u003ca rel=\"noopener\" href=\"https:\/\/anthonygallery.com\/\" target=\"_blank\"\u003eAnthony Gallery\u003c\/a\u003e and \u003ca rel=\"noopener\" href=\"https:\/\/www.rebuild-foundation.org\/\" target=\"_blank\"\u003eRebuild Foundation\u003c\/a\u003e. This particular crate comes from the personal collection of Easy Otabor—founder of Anthony Gallery—and proceeds from this sale will benefit the Rebuild Foundation, the Chicago-based non-profit founded by artist Theaster Gates that champions cultural development through art, education, and community-driven programming on the South Side of Chicago.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eThe hand-engraved, sequentially numbered edition plate on the front indicates \"Tom Sachs S\/N2022.135 no.6 Made in the USA\"\u003c\/span\u003e\u003c\/p\u003e","brand":"TOM SACHS","offers":[{"title":"WHITE","offer_id":42947867213894,"sku":null,"price":1000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0594\/8339\/0022\/files\/902A7425.jpg?v=1746634590"},{"product_id":"louis-vuitton-pre-owned-x-takashi-murakami-2004-pochette-cles-coin-wallet","title":"Louis Vuitton Pre-Owned x Takashi Murakami 2004 Pochette Cles Coin Wallet","description":"\u003cp\u003eA cult classic from the early years of the Louis Vuitton x Takashi Murakami collaboration, this 2004 Pochette Cles coin wallet features the iconic Multicolore Monogram print—Murakami’s playful reimagining of the LV logo in 33 vibrant colors set against white coated canvas. Designed under Marc Jacobs’ creative direction, the Multicolore line fused Murakami’s Superflat aesthetic with Louis Vuitton’s heritage craftsmanship, creating a new era of artist–fashion partnerships. With natural cowhide leather trim and gold-tone hardware, this piece captures the bold spirit of one of the most influential luxury collaborations of the 2000s.\u003c\/p\u003e\n\u003cp\u003eAdditional Details: Comes with accompanying box. What goes around comes around authenticity card and tags\u003c\/p\u003e","brand":"Joopiter22 Local","offers":[{"title":"Black","offer_id":42948162879558,"sku":null,"price":550.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0594\/8339\/0022\/files\/902A7378_f629db3c-baee-4c65-a62e-d66d55f93348.jpg?v=1746636286"},{"product_id":"sade-print-tshirt-set","title":"Sade Print \u0026 Tshirt Set","description":"\u003cp\u003eThis striking portrait of Sade by artist Georgia Bayliss is offered from the personal collection of Easy Otabor, founder of Infinite Archives. 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Not available to the public, these speakers are among the rarest collaborative pieces either brand has produced.\u003c\/p\u003e\n\u003cp\u003eEach pair is hand-built by renowned Brooklyn furniture maker Mark Jupiter, whose custom work is sought after by clients like Google and The Four Seasons. The speakers feature sculptural brass stems, rounded wooden bases, and cabinets finished in either white-washed ash or natural air-dried walnut—blending modern refinement with the original 901’s distinctive silhouette.\u003c\/p\u003e\n\u003cp\u003eOriginally introduced in 1968, the Bose 901 revolutionized home audio with its nine-driver configuration and Direct\/Reflecting™ design—placing eight drivers at the rear and one at the front for an immersive, concert-like sound experience. This special edition honors that legacy while elevating it into a collectible piece of design history.\u003c\/p\u003e\n\u003cp\u003eAdditional Details:\u003c\/p\u003e\n\u003cp\u003eComes with accompanying custom Bose x Kith case, Remote control with antenna, NAD New Acoustic Dimension C3050 stereophonic Amplifier (and setup guide), 901 series VI active equalizer\u003c\/p\u003e\n\u003cp\u003eAmp:17.5 x 5 x 11.5 in\u003cbr\u003eSpeaker: 21.5 x 32. x 12 in\u003cbr\u003eEquilizer: 13 x 2.5 x 5 in\u003cbr\u003eCase: 44 x 37 x 27 in\u003c\/p\u003e","brand":"Joopiter22 Local","offers":[{"title":"White","offer_id":42948198629446,"sku":"","price":55000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0594\/8339\/0022\/files\/Screenshot2025-04-22at4.33.49PM.png?v=1745354089"},{"product_id":"danube-epi-pm","title":"Danube Epi PM","description":"\u003cp\u003eA standout from one of the most talked-about collaborations in fashion history, the Louis Vuitton x Supreme Danube PPM is a compact yet iconic crossbody bag. Released as part of the legendary 2017 capsule that debuted at Paris Men’s Fashion Week, this piece fuses Louis Vuitton’s heritage craftsmanship with Supreme’s unmistakable streetwear edge.\u003c\/p\u003e\n\u003cp\u003eCrafted from water-resistant Epi leather in Supreme’s signature red, the bag showcases the bold white Futura Heavy Oblique “Supreme” logo across the front—an unapologetic statement of style. Epi leather, originally introduced in 1985 as Louis Vuitton’s first permanent leather line, undergoes a unique vegetable-based dyeing process that creates its rich texture and vivid hue.\u003c\/p\u003e\n\u003cp\u003eSmaller than the classic PM size, the Danube PPM still retains the timeless silhouette of the original, designed to echo the flow of the Danube River. It features silvertone hardware, a durable black microfiber lining, and an adjustable canvas strap for versatile, all-day wear.\u003c\/p\u003e\n\u003cp\u003eAdditional Details:\u003c\/p\u003e\n\u003cp\u003eComes with accompanying box and miu miu dustbag\u003c\/p\u003e\n\u003cp\u003eSizing:\u003c\/p\u003e\n\u003cp\u003e6 inches x 8.5 inches x  3 inches\u003c\/p\u003e\n\u003cp\u003eStrap: 50 inches\u003c\/p\u003e","brand":"Joopiter22 Local","offers":[{"title":"Red","offer_id":42948208754758,"sku":"","price":4000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0594\/8339\/0022\/files\/Screenshot2025-04-22at4.44.28PM.png?v=1745354704"},{"product_id":"elizabeth-taylor-gray-pearl-diamond-ring-julia-test","title":"Elizabeth Taylor, Gray Pearl \u0026 Diamond Ring","description":"\u003cp\u003eThis showstopping cocktail ring, once worn by the legendary Elizabeth Taylor and later in the collection of celebrated jeweler Lorraine Schwartz, features a luminous golden South Sea pearl at its center. Framed by a floral halo of brilliant-cut white diamonds, the design is a masterclass in glamour and bold femininity. The intricate three-row diamond-set band adds further brilliance, ensuring the piece dazzles from every angle.\u003c\/p\u003e\n\u003cp\u003eSouth Sea pearls of this size and color are rare; paired with provenance that spans two icons of style—Taylor and Schwartz—this ring stands as both a collector's treasure and a testament to enduring beauty.\u003c\/p\u003e\n\u003cp\u003eSignature Details:\u003c\/p\u003e\n\u003cp\u003e18k 750 indicated on the inside of the ring\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAdditional Details:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e14 diamonds surrounding the center pearl\u003c\/p\u003e","brand":"Joopiter22 Local","offers":[{"title":"Gold","offer_id":42948227268678,"sku":"","price":25000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0594\/8339\/0022\/files\/WhatsAppImage2025-04-22at15.53.51_1.jpg?v=1746730735"},{"product_id":"transaction-fee","title":"Transaction Fee","description":null,"brand":"Joopiter22 Local","offers":[{"title":"Transaction Fee","offer_id":43020702089286,"sku":null,"price":2.9,"currency_code":"USD","in_stock":true}]},{"product_id":"fee","title":"Fee","description":"\u003cstrong\u003eCustom fee for orders. DO NOT MODIFY OR REMOVE THIS PRODUCT!\u003c\/strong\u003e","brand":"fee_vendor","offers":[{"title":"fee option 1000","offer_id":43021440122950,"sku":"OTHERFEESERVICES","price":1000.0,"currency_code":"USD","in_stock":true}]},{"product_id":"surcharge","title":"Surcharge","description":null,"brand":"Joopiter22 Local","offers":[{"title":"Default Title","offer_id":43021554155590,"sku":"","price":0.5,"currency_code":"USD","in_stock":true}]},{"product_id":"mkt-tom-sachs-there-is-no-try","title":"There is No Try - Edition 2","description":"\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eThis sale benefits scholarships at \u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/www.andersonranch.org\/\"\u003eAnderson Ranch Arts Center\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTom Sachs (b. 1966)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cem\u003eThere is No Try\u003c\/em\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSigned, numbered and dated in pencil 'Tom Sachs 2020', lower right\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBlue: Silkscreen with synthetic polymer ink on Coventry Rag paper\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eGreen: Silkscreen with synthetic polymer ink on Coventry Rag paper with diamond dust \u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eBlack: Silkscreen with synthetic polymer ink on Coventry Rag paper with silicon carbide\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eRed: Silkscreen with synthetic polymer ink on Coventry Rag paper\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e38 x 48 inches (\u003c\/span\u003e\u003cspan\u003e96.5 x 121.9 cm)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eExecuted in 2020.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eSet number 2\/30 + 10 artist proofs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThese works are sold unframed \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eProvenance:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTom Sachs Studio, New York\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan data-sheets-root=\"1\"\u003eNOTES:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTom Sachs is an internationally acclaimed artist. His four-decades of bricolage sculptures invite viewers to participate in rigorously crafted and obsessively researched worlds, from \u003c\/span\u003e\u003cspan\u003eNutsy’s\u003c\/span\u003e\u003cspan\u003e (2001), a dynamic remote control car race around icons of modernist art and architecture fashioned from foam core to \u003c\/span\u003e\u003cspan\u003eSpace Programs\u003c\/span\u003e\u003cspan\u003e 1 through 5 (2007-2025), a series of immersive missions throughout the solar system, each comprised of dozens of multimedia works whose materials range from plywood to steel to porcelain and beyond. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThroughout his artistic practice, Sachs challenges perceived hierarchies of materials and objects, treating each of his pieces, and what they’re made from, with equal amounts of curiosity, reverence and devotion. “To me, there’s no difference in value between a Picasso and a toilet plunger,” says Sachs. “I’ve explored both ideas in my work because I want to understand the process of making the things with which I have the deepest and most authentic connections, whether it’s art, everyday objects or spaceships.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp data-start=\"120\" data-end=\"466\"\u003eIn \u003cem data-start=\"123\" data-end=\"140\"\u003eThere is No Try\u003c\/em\u003e, Tom Sachs pays tribute to Andy Warhol, \u003cem data-start=\"192\" data-end=\"203\"\u003eStar Wars\u003c\/em\u003e, and the process of printmaking. Each print centers on Sachs’s favorite Hasbro Yoda action figure from \u003cem data-start=\"307\" data-end=\"327\"\u003eThe Phantom Menace\u003c\/em\u003e—a balding, aggressive, middle-aged version of the Jedi Master seated in his council chair, which Sachs calls “the only Yoda that matters.”\u003c\/p\u003e\n\u003cp data-start=\"120\" data-end=\"466\"\u003e \u003c\/p\u003e\n\u003cp data-start=\"468\" data-end=\"903\"\u003eShot obsessively on an iPhone “like all real photographers use,” the composition mirrors Warhol’s portrait methodology—except here the subject is not a socialite, but a utopian icon. Sachs collaborated with Elizabeth Ferrill and master printer Brian Shure at Anderson Ranch to produce this print using 27 hand-drawn screens and four-color layers, with real diamond dust embedded in select variants—a nod to Warhol’s original technique. \u003c\/p\u003e\n\u003cp data-start=\"468\" data-end=\"903\"\u003e \u003c\/p\u003e\n\u003cp data-start=\"905\" data-end=\"997\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003eThe set includes four unique colorways (blue, green, black, and red), each adding a distinct mood to Yoda’s stoic glare. \u003c\/span\u003e\u003c\/span\u003eProceeds benefit Anderson Ranch Arts Center, supporting artist residencies and scholarships.\u003c\/p\u003e\n\u003cp data-start=\"905\" data-end=\"997\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFor more than 35 years, Sachs’s work has been featured in many exhibitions around the world and is in the collections of the Los Angeles County Museum of Art; the Solomon R. Guggenheim Museum; the Whitney Museum of American Art; the Museum of Modern Art, New York; the Centre Pompidou, Paris; the Metropolitan Museum of Art, New York; the San Francisco Museum of Modern Art; and the Astrup Fearnley Museet, Oslo. Major solo exhibitions of Sachs’s work have been on view at Art Sonje Center (2022); Hybe Insight (2022); Deichtorhallen Hamburg Hall for Contemporary Art (2021); Schauwerk Sindelfingen (2020); Tokyo Opera City Art Gallery (2019); Yerba Buena Center for the Arts (2017); Nasher Sculpture Center (2017); Sogetsu Kaikan (2016); Brooklyn Museum (2016); The Isamu Noguchi Foundation and Garden Museum (2016); The Contemporary Austin (2015); Park Avenue Armory (2012); The Aldrich Contemporary Art Museum (2009); Fondazione Prada, Milan (2006); Deutsche Guggenheim, Berlin (2003); and SITE SANTA FE (1990).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSachs lives and works in New York, where he leads his studio team in a multi-disciplinary art practice across sculpture, painting, ceramics, industrial and graphic design, and movie making. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"905\" data-end=\"997\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cstrong\u003eSTATEMENT:\u003c\/strong\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003e“Elizabeth Ferrill, the director of painting and printmaking at Anderson Ranch, bullied me into doing this print. I never liked doing prints. I felt like they were always too robotic. But then she showed me in depth how to make it beautiful.\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003eWe followed the method that Andy Warhol did. When Warhol made his prints of real people, he would obsessively take portraits of them to find their best angles. I didn't want to make a print of a person I know. I wanted to make a print of someone better than everyone I know, a true utopian.\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003eI took my favorite Hasbro Yoda action figure from Star Wars: Episode 1 – The Phantom Menace. It’s the only Yoda that matters. It was $7 on eBay. It’s the best Yoda. He's balding, middle aged, super aggressive, and a pugilist like me. He comes seated in a Jedi Council chair. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003eI placed Yoda in the right light and started moving around him shooting, looking for just the right angle. I used the camera all real photographers use, an iPhone. I obsessed over the photo and worked on it for a week until I got the perfect one.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003eThen Liz and I worked on the print along with her husband, Brian Shure, who is the master print maker at Anderson Ranch. We made 27 discrete silk screens and printed in four colors. We pulled pigment across the screens, one by one, while adding real diamond dust, the same kind Warhol used in his paintings.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003e\u003cbr\u003eThere’s a hand-made uniqueness to each print and for people who frame them, some of the diamond dust will fall to the bottom in a singular, sculptural pile. \u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003e\u003cbr\u003eI always love going to Anderson Ranch and it’s a privilege to help raise money with these prints for such an important artist’s residency and its scholarships.”\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"TOM SACHS (B. 1966)","offers":[{"title":"Default Title","offer_id":43037760192582,"sku":"JP0325080","price":100000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0594\/8339\/0022\/files\/JP0325080_1_50_15778181-6f63-4870-96a7-2769d37ad333.jpg?v=1747245980"},{"product_id":"mkt-tom-sachs-there-is-no-try-1","title":"There is No Try - Edition 5","description":"\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eThis sale benefits scholarships at \u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/www.andersonranch.org\/\"\u003eAnderson Ranch Arts Center\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTom Sachs (b. 1966)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cem\u003eThere is No Try\u003c\/em\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSigned, numbered and dated in pencil 'Tom Sachs 2020', lower right\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBlue: Silkscreen with synthetic polymer ink on Coventry Rag paper\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eGreen: Silkscreen with synthetic polymer ink on Coventry Rag paper with diamond dust \u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eBlack: Silkscreen with synthetic polymer ink on Coventry Rag paper with silicon carbide\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eRed: Silkscreen with synthetic polymer ink on Coventry Rag paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e38 x 48 inches (\u003c\/span\u003e\u003cspan\u003e96.5 x 121.9 cm)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eExecuted in 2020.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eSet number 5\/30 + 10 artist proofs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThese works are sold unframed \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eProvenance:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTom Sachs Studio, New York\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNOTES:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTom Sachs is an internationally acclaimed artist. His four-decades of bricolage sculptures invite viewers to participate in rigorously crafted and obsessively researched worlds, from \u003c\/span\u003e\u003cspan\u003eNutsy’s\u003c\/span\u003e\u003cspan\u003e (2001), a dynamic remote control car race around icons of modernist art and architecture fashioned from foam core to \u003c\/span\u003e\u003cspan\u003eSpace Programs\u003c\/span\u003e\u003cspan\u003e 1 through 5 (2007-2025), a series of immersive missions throughout the solar system, each comprised of dozens of multimedia works whose materials range from plywood to steel to porcelain and beyond. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThroughout his artistic practice, Sachs challenges perceived hierarchies of materials and objects, treating each of his pieces, and what they’re made from, with equal amounts of curiosity, reverence and devotion. “To me, there’s no difference in value between a Picasso and a toilet plunger,” says Sachs. “I’ve explored both ideas in my work because I want to understand the process of making the things with which I have the deepest and most authentic connections, whether it’s art, everyday objects or spaceships.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp data-start=\"120\" data-end=\"466\"\u003eIn \u003cem data-start=\"123\" data-end=\"140\"\u003eThere is No Try\u003c\/em\u003e, Tom Sachs pays tribute to Andy Warhol, \u003cem data-start=\"192\" data-end=\"203\"\u003eStar Wars\u003c\/em\u003e, and the process of printmaking. Each print centers on Sachs’s favorite Hasbro Yoda action figure from \u003cem data-start=\"307\" data-end=\"327\"\u003eThe Phantom Menace\u003c\/em\u003e—a balding, aggressive, middle-aged version of the Jedi Master seated in his council chair, which Sachs calls “the only Yoda that matters.”\u003c\/p\u003e\n\u003cp data-start=\"120\" data-end=\"466\"\u003e \u003c\/p\u003e\n\u003cp data-start=\"468\" data-end=\"903\"\u003eShot obsessively on an iPhone “like all real photographers use,” the composition mirrors Warhol’s portrait methodology—except here the subject is not a socialite, but a utopian icon. Sachs collaborated with Elizabeth Ferrill and master printer Brian Shure at Anderson Ranch to produce this print using 27 hand-drawn screens and four-color layers, with real diamond dust embedded in select variants—a nod to Warhol’s original technique. \u003c\/p\u003e\n\u003cp data-start=\"468\" data-end=\"903\"\u003e \u003c\/p\u003e\n\u003cp data-start=\"905\" data-end=\"997\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003eThe set includes four unique colorways (blue, green, black, and red), each adding a distinct mood to Yoda’s stoic glare. \u003c\/span\u003e\u003c\/span\u003eProceeds benefit Anderson Ranch Arts Center, supporting artist residencies and scholarships.\u003c\/p\u003e\n\u003cp data-start=\"905\" data-end=\"997\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFor more than 35 years, Sachs’s work has been featured in many exhibitions around the world and is in the collections of the Los Angeles County Museum of Art; the Solomon R. Guggenheim Museum; the Whitney Museum of American Art; the Museum of Modern Art, New York; the Centre Pompidou, Paris; the Metropolitan Museum of Art, New York; the San Francisco Museum of Modern Art; and the Astrup Fearnley Museet, Oslo. Major solo exhibitions of Sachs’s work have been on view at Art Sonje Center (2022); Hybe Insight (2022); Deichtorhallen Hamburg Hall for Contemporary Art (2021); Schauwerk Sindelfingen (2020); Tokyo Opera City Art Gallery (2019); Yerba Buena Center for the Arts (2017); Nasher Sculpture Center (2017); Sogetsu Kaikan (2016); Brooklyn Museum (2016); The Isamu Noguchi Foundation and Garden Museum (2016); The Contemporary Austin (2015); Park Avenue Armory (2012); The Aldrich Contemporary Art Museum (2009); Fondazione Prada, Milan (2006); Deutsche Guggenheim, Berlin (2003); and SITE SANTA FE (1990).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSachs lives and works in New York, where he leads his studio team in a multi-disciplinary art practice across sculpture, painting, ceramics, industrial and graphic design, and movie making. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cstrong\u003eSTATEMENT:\u003c\/strong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003e“Elizabeth Ferrill, the director of painting and printmaking at Anderson Ranch, bullied me into doing this print. I never liked doing prints. I felt like they were always too robotic. But then she showed me in depth how to make it beautiful. \u003cbr\u003e\u003cbr\u003eWe followed the method that Andy Warhol did. When Warhol made his prints of real people, he would obsessively take portraits of them to find their best angles. I didn't want to make a print of a person I know. I wanted to make a print of someone better than everyone I know, a true utopian.\u003cbr\u003e\u003cbr\u003eI took my favorite Hasbro Yoda action figure from Star Wars: Episode 1 – The Phantom Menace. It’s the only Yoda that matters. It was $7 on eBay. It’s the best Yoda. He's balding, middle aged, super aggressive, and a pugilist like me. He comes seated in a Jedi Council chair. \u003cbr\u003e\u003cbr\u003eI placed Yoda in the right light and started moving around him shooting, looking for just the right angle. I used the camera all real photographers use, an iPhone. I obsessed over the photo and worked on it for a week until I got the perfect one. \u003cbr\u003e\u003cbr\u003eThen Liz and I worked on the print along with her husband, Brian Shure, who is the master print maker at Anderson Ranch. We made 27 discrete silk screens and printed in four colors. We pulled pigment across the screens, one by one, while adding real diamond dust, the same kind Warhol used in his paintings.\u003cbr\u003e\u003cbr\u003eThere’s a hand-made uniqueness to each print and for people who frame them, some of the diamond dust will fall to the bottom in a singular, sculptural pile. \u003cbr\u003e\u003cbr\u003eI always love going to Anderson Ranch and it’s a privilege to help raise money with these prints for such an important artist’s residency and its scholarships.”\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"TOM SACHS (B. 1966)","offers":[{"title":"Default Title","offer_id":43037760716870,"sku":"JP0325079","price":100000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0594\/8339\/0022\/files\/JP0325080_1_50_fc059f43-7ad5-4e6d-9c28-44b6db511e1c.jpg?v=1747245990"},{"product_id":"mkt-tom-sachs-there-is-no-try-states-red","title":"There is No Try (RED) - Edition 11","description":"\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eThis sale benefits scholarships at\u003ca href=\"https:\/\/www.andersonranch.org\/\"\u003e \u003cspan style=\"text-decoration: underline;\"\u003eAnderson Ranch Arts Center\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTom Sachs (b. 1966)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cem\u003eThere is No Try (Red)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSigned, numbered and dated in pencil 'Tom Sachs 2020', lower right\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSilkscreen \u003cmeta charset=\"utf-8\"\u003ewith synthetic polymer ink on Coventry Rag paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e38 x 48 inches (96.5 x 121.9 cm)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eExecuted in 2020.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eEdition 11\/30 + 10 artist proofs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThis work is sold unframed.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eProvenance:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTom Sachs Studio, New York\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNOTES:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTom Sachs is an internationally acclaimed artist. His four-decades of bricolage sculptures invite viewers to participate in rigorously crafted and obsessively researched worlds, from \u003c\/span\u003e\u003cspan\u003eNutsy’s\u003c\/span\u003e\u003cspan\u003e (2001), a dynamic remote control car race around icons of modernist art and architecture fashioned from foam core to \u003c\/span\u003e\u003cspan\u003eSpace Programs\u003c\/span\u003e\u003cspan\u003e 1 through 5 (2007-2025), a series of immersive missions throughout the solar system, each comprised of dozens of multimedia works whose materials range from plywood to steel to porcelain and beyond. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThroughout his artistic practice, Sachs challenges perceived hierarchies of materials and objects, treating each of his pieces, and what they’re made from, with equal amounts of curiosity, reverence and devotion. “To me, there’s no difference in value between a Picasso and a toilet plunger,” says Sachs. “I’ve explored both ideas in my work because I want to understand the process of making the things with which I have the deepest and most authentic connections, whether it’s art, everyday objects or spaceships.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003eIn \u003cem\u003eThere is No Try,\u003c\/em\u003e Tom Sachs pays tribute to Andy Warhol, Star Wars, and the process of printmaking. Each print centers on Sachs’s favorite Hasbro Yoda action figure from The Phantom Menace—a balding, aggressive, middle-aged version of the Jedi Master seated in his council chair, which Sachs calls “the only Yoda that matters.”\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003eShot obsessively on an iPhone “like all real photographers use,” the composition mirrors Warhol’s portrait methodology—except here the subject is not a socialite, but a utopian icon. Sachs collaborated with Elizabeth Ferrill and master printer Brian Shure at Anderson Ranch to produce this print using 27 hand-drawn screens and four-color layers, with real diamond dust embedded throughout, a nod to Warhol’s original technique. Proceeds benefit Anderson Ranch Arts Center, supporting artist residencies and scholarships.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFor more than 35 years, Sachs’s work has been featured in many exhibitions around the world and is in the collections of the Los Angeles County Museum of Art; the Solomon R. Guggenheim Museum; the Whitney Museum of American Art; the Museum of Modern Art, New York; the Centre Pompidou, Paris; the Metropolitan Museum of Art, New York; the San Francisco Museum of Modern Art; and the Astrup Fearnley Museet, Oslo. Major solo exhibitions of Sachs’s work have been on view at Art Sonje Center (2022); Hybe Insight (2022); Deichtorhallen Hamburg Hall for Contemporary Art (2021); Schauwerk Sindelfingen (2020); Tokyo Opera City Art Gallery (2019); Yerba Buena Center for the Arts (2017); Nasher Sculpture Center (2017); Sogetsu Kaikan (2016); Brooklyn Museum (2016); The Isamu Noguchi Foundation and Garden Museum (2016); The Contemporary Austin (2015); Park Avenue Armory (2012); The Aldrich Contemporary Art Museum (2009); Fondazione Prada, Milan (2006); Deutsche Guggenheim, Berlin (2003); and SITE SANTA FE (1990).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSachs lives and works in New York, where he leads his studio team in a multi-disciplinary art practice across sculpture, painting, ceramics, industrial and graphic design, and movie making.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan data-sheets-root=\"1\"\u003eSTATEMENT:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003e“Elizabeth Ferrill, the director of painting and printmaking at Anderson Ranch, bullied me into doing this print. I never liked doing prints. I felt like they were always too robotic. But then she showed me in depth how to make it beautiful. \u003cbr\u003e\u003cbr\u003eWe followed the method that Andy Warhol did. When Warhol made his prints of real people, he would obsessively take portraits of them to find their best angles. I didn't want to make a print of a person I know. I wanted to make a print of someone better than everyone I know, a true utopian.\u003cbr\u003e\u003cbr\u003eI took my favorite Hasbro Yoda action figure from Star Wars: Episode 1 – The Phantom Menace. It’s the only Yoda that matters. It was $7 on eBay. It’s the best Yoda. He's balding, middle aged, super aggressive, and a pugilist like me. He comes seated in a Jedi Council chair. \u003cbr\u003e\u003cbr\u003eI placed Yoda in the right light and started moving around him shooting, looking for just the right angle. I used the camera all real photographers use, an iPhone. I obsessed over the photo and worked on it for a week until I got the perfect one. \u003cbr\u003e\u003cbr\u003eThen Liz and I worked on the print along with her husband, Brian Shure, who is the master print maker at Anderson Ranch. We made 27 discrete silk screens and printed in four colors. We pulled pigment across the screens, one by one, while adding real diamond dust, the same kind Warhol used in his paintings.\u003cbr\u003e\u003cbr\u003eThere’s a hand-made uniqueness to each print and for people who frame them, some of the diamond dust will fall to the bottom in a singular, sculptural pile. \u003cbr\u003e\u003cbr\u003eI always love going to Anderson Ranch and it’s a privilege to help raise money with these prints for such an important artist’s residency and its scholarships.”\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"TOM SACHS (B. 1966)","offers":[{"title":"Default Title","offer_id":43037760815174,"sku":"JP0325081","price":25000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0594\/8339\/0022\/files\/JP0325081_1_50.jpg?v=1747245995"},{"product_id":"mkt-tom-sachs-there-is-no-try-states-green","title":"There is No Try (GREEN) - Edition 14","description":"\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eThis sale benefits scholarships at \u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/www.andersonranch.org\/\"\u003eAnderson Ranch Arts Center\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTom Sachs (b. 1966)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cem\u003eThere is No Try (Green)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSigned, numbered and dated in pencil 'Tom Sachs 2020', lower right\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSilkscreen \u003cmeta charset=\"utf-8\"\u003ewith synthetic polymer ink on Coventry Rag paper with diamond dust\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e38 x 48 inches \u003c\/span\u003e\u003cspan\u003e(\u003c\/span\u003e\u003cspan\u003e96.5 x 121.9 cm)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eExecuted in 2020.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eEdition 14\/30 + 10 artist proofs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThis work is sold unframed \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eProvenance:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTom Sachs Studio, New York\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNOTES:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTom Sachs is an internationally acclaimed artist. His four-decades of bricolage sculptures invite viewers to participate in rigorously crafted and obsessively researched worlds, from \u003c\/span\u003e\u003cspan\u003eNutsy’s\u003c\/span\u003e\u003cspan\u003e (2001), a dynamic remote control car race around icons of modernist art and architecture fashioned from foam core to \u003c\/span\u003e\u003cspan\u003eSpace Programs\u003c\/span\u003e\u003cspan\u003e 1 through 5 (2007-2025), a series of immersive missions throughout the solar system, each comprised of dozens of multimedia works whose materials range from plywood to steel to porcelain and beyond. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThroughout his artistic practice, Sachs challenges perceived hierarchies of materials and objects, treating each of his pieces, and what they’re made from, with equal amounts of curiosity, reverence and devotion. “To me, there’s no difference in value between a Picasso and a toilet plunger,” says Sachs. “I’ve explored both ideas in my work because I want to understand the process of making the things with which I have the deepest and most authentic connections, whether it’s art, everyday objects or spaceships.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp data-end=\"466\" data-start=\"120\"\u003eIn \u003cem data-end=\"140\" data-start=\"123\"\u003eThere is No Try\u003c\/em\u003e, Tom Sachs pays tribute to Andy Warhol, \u003cem data-end=\"203\" data-start=\"192\"\u003eStar Wars\u003c\/em\u003e, and the process of printmaking. Each print centers on Sachs’s favorite Hasbro Yoda action figure from \u003cem data-end=\"327\" data-start=\"307\"\u003eThe Phantom Menace\u003c\/em\u003e—a balding, aggressive, middle-aged version of the Jedi Master seated in his council chair, which Sachs calls “the only Yoda that matters.”\u003c\/p\u003e\n\u003cp data-end=\"466\" data-start=\"120\"\u003e \u003c\/p\u003e\n\u003cp data-end=\"903\" data-start=\"468\"\u003eShot obsessively on an iPhone “like all real photographers use,” the composition mirrors Warhol’s portrait methodology—except here the subject is not a socialite, but a utopian icon. Sachs collaborated with Elizabeth Ferrill and master printer Brian Shure at Anderson Ranch to produce this print using 27 hand-drawn screens and four-color layers, with real diamond dust embedded in select variants—a nod to Warhol’s original technique. Proceeds benefit Anderson Ranch Arts Center, supporting artist residencies and scholarships.\u003c\/p\u003e\n\u003cp data-end=\"903\" data-start=\"468\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFor more than 35 years, Sachs’s work has been featured in many exhibitions around the world and is in the collections of the Los Angeles County Museum of Art; the Solomon R. Guggenheim Museum; the Whitney Museum of American Art; the Museum of Modern Art, New York; the Centre Pompidou, Paris; the Metropolitan Museum of Art, New York; the San Francisco Museum of Modern Art; and the Astrup Fearnley Museet, Oslo. Major solo exhibitions of Sachs’s work have been on view at Art Sonje Center (2022); Hybe Insight (2022); Deichtorhallen Hamburg Hall for Contemporary Art (2021); Schauwerk Sindelfingen (2020); Tokyo Opera City Art Gallery (2019); Yerba Buena Center for the Arts (2017); Nasher Sculpture Center (2017); Sogetsu Kaikan (2016); Brooklyn Museum (2016); The Isamu Noguchi Foundation and Garden Museum (2016); The Contemporary Austin (2015); Park Avenue Armory (2012); The Aldrich Contemporary Art Museum (2009); Fondazione Prada, Milan (2006); Deutsche Guggenheim, Berlin (2003); and SITE SANTA FE (1990).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSachs lives and works in New York, where he leads his studio team in a multi-disciplinary art practice across sculpture, painting, ceramics, industrial and graphic design, and movie making. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003e\u003cspan data-sheets-root=\"1\"\u003eSTATEMENT:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003e“Elizabeth Ferrill, the director of painting and printmaking at Anderson Ranch, bullied me into doing this print. I never liked doing prints. I felt like they were always too robotic. But then she showed me in depth how to make it beautiful. \u003cbr\u003e\u003cbr\u003eWe followed the method that Andy Warhol did. When Warhol made his prints of real people, he would obsessively take portraits of them to find their best angles. I didn't want to make a print of a person I know. I wanted to make a print of someone better than everyone I know, a true utopian.\u003cbr\u003e\u003cbr\u003eI took my favorite Hasbro Yoda action figure from Star Wars: Episode 1 – The Phantom Menace. It’s the only Yoda that matters. It was $7 on eBay. It’s the best Yoda. He's balding, middle aged, super aggressive, and a pugilist like me. He comes seated in a Jedi Council chair. \u003cbr\u003e\u003cbr\u003eI placed Yoda in the right light and started moving around him shooting, looking for just the right angle. I used the camera all real photographers use, an iPhone. I obsessed over the photo and worked on it for a week until I got the perfect one. \u003cbr\u003e\u003cbr\u003eThen Liz and I worked on the print along with her husband, Brian Shure, who is the master print maker at Anderson Ranch. We made 27 discrete silk screens and printed in four colors. We pulled pigment across the screens, one by one, while adding real diamond dust, the same kind Warhol used in his paintings.\u003cbr\u003e\u003cbr\u003eThere’s a hand-made uniqueness to each print and for people who frame them, some of the diamond dust will fall to the bottom in a singular, sculptural pile. \u003cbr\u003e\u003cbr\u003eI always love going to Anderson Ranch and it’s a privilege to help raise money with these prints for such an important artist’s residency and its scholarships.”\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"TOM SACHS (B. 1966)","offers":[{"title":"Default Title","offer_id":43037761044550,"sku":"JP0325083","price":25000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0594\/8339\/0022\/files\/JP0325083_1_50_95db725d-2c7b-4649-8dc6-2ba61b6de402.jpg?v=1747246005"},{"product_id":"mkt-tom-sachs-there-is-no-try-states-black","title":"There is No Try (BLACK) - Edition 14","description":"\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eThis sale benefits scholarships at \u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/www.andersonranch.org\/\"\u003eAnderson Ranch Arts Center\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTom Sachs (b. 1966)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cem\u003eThere is No Try (Black)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSigned, numbered and dated in pencil 'Tom Sachs 2020', lower right\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSilkscreen \u003cmeta charset=\"utf-8\"\u003ewith synthetic polymer ink on Coventry Rag paper with silicon carbide\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e38 x 48 inches \u003c\/span\u003e\u003cspan\u003e(\u003c\/span\u003e\u003cspan\u003e96.5 x 121.9 cm)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eExecuted in 2020.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eEdition 14\/30 + 10 artist proofs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThis work is sold unframed\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eProvenance:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTom Sachs Studio, New York\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNOTES:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTom Sachs is an internationally acclaimed artist. His four-decades of bricolage sculptures invite viewers to participate in rigorously crafted and obsessively researched worlds, from \u003c\/span\u003e\u003cspan\u003eNutsy’s\u003c\/span\u003e\u003cspan\u003e (2001), a dynamic remote control car race around icons of modernist art and architecture fashioned from foam core to \u003c\/span\u003e\u003cspan\u003eSpace Programs\u003c\/span\u003e\u003cspan\u003e 1 through 5 (2007-2025), a series of immersive missions throughout the solar system, each comprised of dozens of multimedia works whose materials range from plywood to steel to porcelain and beyond. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThroughout his artistic practice, Sachs challenges perceived hierarchies of materials and objects, treating each of his pieces, and what they’re made from, with equal amounts of curiosity, reverence and devotion. “To me, there’s no difference in value between a Picasso and a toilet plunger,” says Sachs. “I’ve explored both ideas in my work because I want to understand the process of making the things with which I have the deepest and most authentic connections, whether it’s art, everyday objects or spaceships.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp data-start=\"120\" data-end=\"466\"\u003eIn \u003cem data-start=\"123\" data-end=\"140\"\u003eThere is No Try\u003c\/em\u003e, Tom Sachs pays tribute to Andy Warhol, \u003cem data-start=\"192\" data-end=\"203\"\u003eStar Wars\u003c\/em\u003e, and the process of printmaking. Each print centers on Sachs’s favorite Hasbro Yoda action figure from \u003cem data-start=\"307\" data-end=\"327\"\u003eThe Phantom Menace\u003c\/em\u003e—a balding, aggressive, middle-aged version of the Jedi Master seated in his council chair, which Sachs calls “the only Yoda that matters.”\u003c\/p\u003e\n\u003cp data-start=\"120\" data-end=\"466\"\u003e \u003c\/p\u003e\n\u003cp data-start=\"468\" data-end=\"903\"\u003eShot obsessively on an iPhone “like all real photographers use,” the composition mirrors Warhol’s portrait methodology—except here the subject is not a socialite, but a utopian icon. Sachs collaborated with Elizabeth Ferrill and master printer Brian Shure at Anderson Ranch to produce this print using 27 hand-drawn screens and four-color layers, with real diamond dust embedded in select variants—a nod to Warhol’s original technique. Proceeds benefit Anderson Ranch Arts Center, supporting artist residencies and scholarships.\u003c\/p\u003e\n\u003cp data-start=\"468\" data-end=\"903\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFor more than 35 years, Sachs’s work has been featured in many exhibitions around the world and is in the collections of the Los Angeles County Museum of Art; the Solomon R. Guggenheim Museum; the Whitney Museum of American Art; the Museum of Modern Art, New York; the Centre Pompidou, Paris; the Metropolitan Museum of Art, New York; the San Francisco Museum of Modern Art; and the Astrup Fearnley Museet, Oslo. Major solo exhibitions of Sachs’s work have been on view at Art Sonje Center (2022); Hybe Insight (2022); Deichtorhallen Hamburg Hall for Contemporary Art (2021); Schauwerk Sindelfingen (2020); Tokyo Opera City Art Gallery (2019); Yerba Buena Center for the Arts (2017); Nasher Sculpture Center (2017); Sogetsu Kaikan (2016); Brooklyn Museum (2016); The Isamu Noguchi Foundation and Garden Museum (2016); The Contemporary Austin (2015); Park Avenue Armory (2012); The Aldrich Contemporary Art Museum (2009); Fondazione Prada, Milan (2006); Deutsche Guggenheim, Berlin (2003); and SITE SANTA FE (1990).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSachs lives and works in New York, where he leads his studio team in a multi-disciplinary art practice across sculpture, painting, ceramics, industrial and graphic design, and movie making.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan data-sheets-root=\"1\"\u003eSTATEMENT:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003e\u003cbr\u003e“Elizabeth Ferrill, the director of painting and printmaking at Anderson Ranch, bullied me into doing this print. I never liked doing prints. I felt like they were always too robotic. But then she showed me in depth how to make it beautiful. \u003cbr\u003e\u003cbr\u003eWe followed the method that Andy Warhol did. When Warhol made his prints of real people, he would obsessively take portraits of them to find their best angles. I didn't want to make a print of a person I know. I wanted to make a print of someone better than everyone I know, a true utopian.\u003cbr\u003e\u003cbr\u003eI took my favorite Hasbro Yoda action figure from Star Wars: Episode 1 – The Phantom Menace. It’s the only Yoda that matters. It was $7 on eBay. It’s the best Yoda. He's balding, middle aged, super aggressive, and a pugilist like me. He comes seated in a Jedi Council chair. \u003cbr\u003e\u003cbr\u003eI placed Yoda in the right light and started moving around him shooting, looking for just the right angle. I used the camera all real photographers use, an iPhone. I obsessed over the photo and worked on it for a week until I got the perfect one. \u003cbr\u003e\u003cbr\u003eThen Liz and I worked on the print along with her husband, Brian Shure, who is the master print maker at Anderson Ranch. We made 27 discrete silk screens and printed in four colors. We pulled pigment across the screens, one by one, while adding real diamond dust, the same kind Warhol used in his paintings.\u003cbr\u003e\u003cbr\u003eThere’s a hand-made uniqueness to each print and for people who frame them, some of the diamond dust will fall to the bottom in a singular, sculptural pile. \u003cbr\u003e\u003cbr\u003eI always love going to Anderson Ranch and it’s a privilege to help raise money with these prints for such an important artist’s residency and its scholarships.”\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"TOM SACHS (B. 1966)","offers":[{"title":"Default Title","offer_id":43037761929286,"sku":"JP0325084","price":25000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0594\/8339\/0022\/files\/JP0325084_1_50.jpg?v=1747246010"},{"product_id":"mkt-tom-sachs-there-is-no-try-states-blue-1","title":"There is No Try (BLUE) - Edition 14","description":"\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eThis sale benefits scholarships at \u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/www.andersonranch.org\/\"\u003eAnderson Ranch Arts Center\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTom Sachs (b. 1966)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cem\u003eThere is No Try (Blue)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSigned, numbered and dated in pencil 'Tom Sachs 2020', lower right\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSilkscreen \u003cmeta charset=\"utf-8\"\u003ewith synthetic polymer ink on Coventry Rag paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e38 x 48 inches \u003c\/span\u003e\u003cspan\u003e(\u003c\/span\u003e\u003cspan\u003e96.5 x 121.9 cm)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eExecuted in 2020.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eEdition 14\/30 + 10 artist proofs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThis work is sold unframed\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eProvenance:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTom Sachs Studio, New York\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan data-sheets-root=\"1\"\u003eNOTES:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTom Sachs is an internationally acclaimed artist. His four-decades of bricolage sculptures invite viewers to participate in rigorously crafted and obsessively researched worlds, from \u003c\/span\u003e\u003cspan\u003eNutsy’s\u003c\/span\u003e\u003cspan\u003e (2001), a dynamic remote control car race around icons of modernist art and architecture fashioned from foam core to \u003c\/span\u003e\u003cspan\u003eSpace Programs\u003c\/span\u003e\u003cspan\u003e 1 through 5 (2007-2025), a series of immersive missions throughout the solar system, each comprised of dozens of multimedia works whose materials range from plywood to steel to porcelain and beyond. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThroughout his artistic practice, Sachs challenges perceived hierarchies of materials and objects, treating each of his pieces, and what they’re made from, with equal amounts of curiosity, reverence and devotion. “To me, there’s no difference in value between a Picasso and a toilet plunger,” says Sachs. “I’ve explored both ideas in my work because I want to understand the process of making the things with which I have the deepest and most authentic connections, whether it’s art, everyday objects or spaceships.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp data-start=\"120\" data-end=\"466\"\u003eIn \u003cem data-start=\"123\" data-end=\"140\"\u003eThere is No Try\u003c\/em\u003e, Tom Sachs pays tribute to Andy Warhol, \u003cem data-start=\"192\" data-end=\"203\"\u003eStar Wars\u003c\/em\u003e, and the process of printmaking. Each print centers on Sachs’s favorite Hasbro Yoda action figure from \u003cem data-start=\"307\" data-end=\"327\"\u003eThe Phantom Menace\u003c\/em\u003e—a balding, aggressive, middle-aged version of the Jedi Master seated in his council chair, which Sachs calls “the only Yoda that matters.”\u003c\/p\u003e\n\u003cp data-start=\"120\" data-end=\"466\"\u003e \u003c\/p\u003e\n\u003cp data-start=\"468\" data-end=\"903\"\u003eShot obsessively on an iPhone “like all real photographers use,” the composition mirrors Warhol’s portrait methodology—except here the subject is not a socialite, but a utopian icon. Sachs collaborated with Elizabeth Ferrill and master printer Brian Shure at Anderson Ranch to produce this print using 27 hand-drawn screens and four-color layers, with real diamond dust embedded in select variants—a nod to Warhol’s original technique. Proceeds benefit Anderson Ranch Arts Center, supporting artist residencies and scholarships.\u003c\/p\u003e\n\u003cp data-start=\"468\" data-end=\"903\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFor more than 35 years, Sachs’s work has been featured in many exhibitions around the world and is in the collections of the Los Angeles County Museum of Art; the Solomon R. Guggenheim Museum; the Whitney Museum of American Art; the Museum of Modern Art, New York; the Centre Pompidou, Paris; the Metropolitan Museum of Art, New York; the San Francisco Museum of Modern Art; and the Astrup Fearnley Museet, Oslo. Major solo exhibitions of Sachs’s work have been on view at Art Sonje Center (2022); Hybe Insight (2022); Deichtorhallen Hamburg Hall for Contemporary Art (2021); Schauwerk Sindelfingen (2020); Tokyo Opera City Art Gallery (2019); Yerba Buena Center for the Arts (2017); Nasher Sculpture Center (2017); Sogetsu Kaikan (2016); Brooklyn Museum (2016); The Isamu Noguchi Foundation and Garden Museum (2016); The Contemporary Austin (2015); Park Avenue Armory (2012); The Aldrich Contemporary Art Museum (2009); Fondazione Prada, Milan (2006); Deutsche Guggenheim, Berlin (2003); and SITE SANTA FE (1990).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSachs lives and works in New York, where he leads his studio team in a multi-disciplinary art practice across sculpture, painting, ceramics, industrial and graphic design, and movie making. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"905\" data-end=\"997\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003e\u003cstrong\u003eSTATEMENT: \u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003e“Elizabeth Ferrill, the director of painting and printmaking at Anderson Ranch, bullied me into doing this print. I never liked doing prints. I felt like they were always too robotic. But then she showed me in depth how to make it beautiful. \u003cbr\u003e\u003cbr\u003eWe followed the method that Andy Warhol did. When Warhol made his prints of real people, he would obsessively take portraits of them to find their best angles. I didn't want to make a print of a person I know. I wanted to make a print of someone better than everyone I know, a true utopian.\u003cbr\u003e\u003cbr\u003eI took my favorite Hasbro Yoda action figure from Star Wars: Episode 1 – The Phantom Menace. It’s the only Yoda that matters. It was $7 on eBay. It’s the best Yoda. He's balding, middle aged, super aggressive, and a pugilist like me. He comes seated in a Jedi Council chair. \u003cbr\u003e\u003cbr\u003eI placed Yoda in the right light and started moving around him shooting, looking for just the right angle. I used the camera all real photographers use, an iPhone. I obsessed over the photo and worked on it for a week until I got the perfect one. \u003cbr\u003e\u003cbr\u003eThen Liz and I worked on the print along with her husband, Brian Shure, who is the master print maker at Anderson Ranch. We made 27 discrete silk screens and printed in four colors. We pulled pigment across the screens, one by one, while adding real diamond dust, the same kind Warhol used in his paintings.\u003cbr\u003e\u003cbr\u003eThere’s a hand-made uniqueness to each print and for people who frame them, some of the diamond dust will fall to the bottom in a singular, sculptural pile. \u003cbr\u003e\u003cbr\u003eI always love going to Anderson Ranch and it’s a privilege to help raise money with these prints for such an important artist’s residency and its scholarships.”\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"TOM SACHS (B. 1966)","offers":[{"title":"Default Title","offer_id":43037762388038,"sku":"JP0325085","price":25000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0594\/8339\/0022\/files\/JP0325082_1_1_50.jpg?v=1747246016"},{"product_id":"there-is-no-try-green","title":"There is No Try (GREEN) - Edition 11","description":"\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eThis sale benefits scholarships at \u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/www.andersonranch.org\/\"\u003eAnderson Ranch Arts Center\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"mb-1\"\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTom Sachs (b. 1966)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cem\u003eThere is No Try (Green)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSigned, numbered and dated in pencil 'Tom Sachs 2020', lower right\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSilkscreen \u003cmeta charset=\"utf-8\"\u003ewith synthetic polymer ink on Coventry Rag paper with diamond dust\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e38 x 48 inches \u003c\/span\u003e\u003cspan\u003e(\u003c\/span\u003e\u003cspan\u003e96.5 x 121.9 cm)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eExecuted in 2020.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eEdition 11\/30 + 10 artist proofs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"mb-1\"\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThis work is sold unframed\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"mb-1\"\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eProvenance:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTom Sachs Studio, New York\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNOTES:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTom Sachs is an internationally acclaimed artist. His four-decades of bricolage sculptures invite viewers to participate in rigorously crafted and obsessively researched worlds, from \u003c\/span\u003e\u003cspan\u003eNutsy’s\u003c\/span\u003e\u003cspan\u003e (2001), a dynamic remote control car race around icons of modernist art and architecture fashioned from foam core to \u003c\/span\u003e\u003cspan\u003eSpace Programs\u003c\/span\u003e\u003cspan\u003e 1 through 5 (2007-2025), a series of immersive missions throughout the solar system, each comprised of dozens of multimedia works whose materials range from plywood to steel to porcelain and beyond. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThroughout his artistic practice, Sachs challenges perceived hierarchies of materials and objects, treating each of his pieces, and what they’re made from, with equal amounts of curiosity, reverence and devotion. “To me, there’s no difference in value between a Picasso and a toilet plunger,” says Sachs. “I’ve explored both ideas in my work because I want to understand the process of making the things with which I have the deepest and most authentic connections, whether it’s art, everyday objects or spaceships.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp data-start=\"120\" data-end=\"466\"\u003eIn \u003cem data-start=\"123\" data-end=\"140\"\u003eThere is No Try\u003c\/em\u003e, Tom Sachs pays tribute to Andy Warhol, \u003cem data-start=\"192\" data-end=\"203\"\u003eStar Wars\u003c\/em\u003e, and the process of printmaking. Each print centers on Sachs’s favorite Hasbro Yoda action figure from \u003cem data-start=\"307\" data-end=\"327\"\u003eThe Phantom Menace\u003c\/em\u003e—a balding, aggressive, middle-aged version of the Jedi Master seated in his council chair, which Sachs calls “the only Yoda that matters.”\u003c\/p\u003e\n\u003cp data-start=\"120\" data-end=\"466\"\u003e \u003c\/p\u003e\n\u003cp data-start=\"468\" data-end=\"903\"\u003eShot obsessively on an iPhone “like all real photographers use,” the composition mirrors Warhol’s portrait methodology—except here the subject is not a socialite, but a utopian icon. Sachs collaborated with Elizabeth Ferrill and master printer Brian Shure at Anderson Ranch to produce this print using 27 hand-drawn screens and four-color layers, with real diamond dust embedded in select variants—a nod to Warhol’s original technique. Proceeds benefit Anderson Ranch Arts Center, supporting artist residencies and scholarships.\u003c\/p\u003e\n\u003cp data-start=\"468\" data-end=\"903\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFor more than 35 years, Sachs’s work has been featured in many exhibitions around the world and is in the collections of the Los Angeles County Museum of Art; the Solomon R. Guggenheim Museum; the Whitney Museum of American Art; the Museum of Modern Art, New York; the Centre Pompidou, Paris; the Metropolitan Museum of Art, New York; the San Francisco Museum of Modern Art; and the Astrup Fearnley Museet, Oslo. Major solo exhibitions of Sachs’s work have been on view at Art Sonje Center (2022); Hybe Insight (2022); Deichtorhallen Hamburg Hall for Contemporary Art (2021); Schauwerk Sindelfingen (2020); Tokyo Opera City Art Gallery (2019); Yerba Buena Center for the Arts (2017); Nasher Sculpture Center (2017); Sogetsu Kaikan (2016); Brooklyn Museum (2016); The Isamu Noguchi Foundation and Garden Museum (2016); The Contemporary Austin (2015); Park Avenue Armory (2012); The Aldrich Contemporary Art Museum (2009); Fondazione Prada, Milan (2006); Deutsche Guggenheim, Berlin (2003); and SITE SANTA FE (1990).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSachs lives and works in New York, where he leads his studio team in a multi-disciplinary art practice across sculpture, painting, ceramics, industrial and graphic design, and movie making. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003e\u003cspan data-sheets-root=\"1\"\u003eSTATEMENT:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003e“Elizabeth Ferrill, the director of painting and printmaking at Anderson Ranch, bullied me into doing this print. I never liked doing prints. I felt like they were always too robotic. But then she showed me in depth how to make it beautiful. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eWe followed the method that Andy Warhol did. When Warhol made his prints of real people, he would obsessively take portraits of them to find their best angles. I didn't want to make a print of a person I know. I wanted to make a print of someone better than everyone I know, a true utopian.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eI took my favorite Hasbro Yoda action figure from Star Wars: Episode 1 – The Phantom Menace. It’s the only Yoda that matters. It was $7 on eBay. It’s the best Yoda. He's balding, middle aged, super aggressive, and a pugilist like me. He comes seated in a Jedi Council chair.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eI placed Yoda in the right light and started moving around him shooting, looking for just the right angle. I used the camera all real photographers use, an iPhone. I obsessed over the photo and worked on it for a week until I got the perfect one.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThen Liz and I worked on the print along with her husband, Brian Shure, who is the master print maker at Anderson Ranch. We made 27 discrete silk screens and printed in four colors. We pulled pigment across the screens, one by one, while adding real diamond dust, the same kind Warhol used in his paintings.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThere’s a hand-made uniqueness to each print and for people who frame them, some of the diamond dust will fall to the bottom in a singular, sculptural pile.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eI always love going to Anderson Ranch and it’s a privilege to help raise money with these prints for such an important artist’s residency and its scholarships.”\u003c\/p\u003e","brand":"TOM SACHS (B. 1966)","offers":[{"title":"Default Title","offer_id":43038485839942,"sku":"JP0325083","price":25000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0594\/8339\/0022\/files\/JP0325083_1_50_95db725d-2c7b-4649-8dc6-2ba61b6de402.jpg?v=1747246005"},{"product_id":"there-is-no-try-blue","title":"There is No Try (BLUE) - Edition 11","description":"\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eThis sale benefits scholarships at \u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/www.andersonranch.org\/\"\u003eAnderson Ranch Arts Center\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTom Sachs (b. 1966)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cem\u003eThere is No Try (Blue)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSigned, numbered and dated in pencil 'Tom Sachs 2020', lower right\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSilkscreen \u003cmeta charset=\"utf-8\"\u003ewith synthetic polymer ink on Coventry Rag paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e38 x 48 inches \u003c\/span\u003e\u003cspan\u003e(\u003c\/span\u003e\u003cspan\u003e96.5 x 121.9 cm)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eExecuted in 2020.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eEdition 11\/30 + 10 artist proofs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe work is sold unframed\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eProvenance:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTom Sachs Studio, New York\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"120\" data-end=\"466\"\u003e \u003c\/p\u003e\n\u003cp data-start=\"120\" data-end=\"466\"\u003e\u003cstrong\u003eNOTES:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTom Sachs is an internationally acclaimed artist. His four-decades of bricolage sculptures invite viewers to participate in rigorously crafted and obsessively researched worlds, from \u003c\/span\u003e\u003cspan\u003eNutsy’s\u003c\/span\u003e\u003cspan\u003e (2001), a dynamic remote control car race around icons of modernist art and architecture fashioned from foam core to \u003c\/span\u003e\u003cspan\u003eSpace Programs\u003c\/span\u003e\u003cspan\u003e 1 through 5 (2007-2025), a series of immersive missions throughout the solar system, each comprised of dozens of multimedia works whose materials range from plywood to steel to porcelain and beyond. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThroughout his artistic practice, Sachs challenges perceived hierarchies of materials and objects, treating each of his pieces, and what they’re made from, with equal amounts of curiosity, reverence and devotion. “To me, there’s no difference in value between a Picasso and a toilet plunger,” says Sachs. “I’ve explored both ideas in my work because I want to understand the process of making the things with which I have the deepest and most authentic connections, whether it’s art, everyday objects or spaceships.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp data-start=\"120\" data-end=\"466\"\u003eIn \u003cem data-start=\"123\" data-end=\"140\"\u003eThere is No Try\u003c\/em\u003e, Tom Sachs pays tribute to Andy Warhol, \u003cem data-start=\"192\" data-end=\"203\"\u003eStar Wars\u003c\/em\u003e, and the process of printmaking. Each print centers on Sachs’s favorite Hasbro Yoda action figure from \u003cem data-start=\"307\" data-end=\"327\"\u003eThe Phantom Menace\u003c\/em\u003e—a balding, aggressive, middle-aged version of the Jedi Master seated in his council chair, which Sachs calls “the only Yoda that matters.”\u003c\/p\u003e\n\u003cp data-start=\"120\" data-end=\"466\"\u003e \u003c\/p\u003e\n\u003cp data-start=\"468\" data-end=\"903\"\u003eShot obsessively on an iPhone “like all real photographers use,” the composition mirrors Warhol’s portrait methodology—except here the subject is not a socialite, but a utopian icon. Sachs collaborated with Elizabeth Ferrill and master printer Brian Shure at Anderson Ranch to produce this print using 27 hand-drawn screens and four-color layers, with real diamond dust embedded in select variants—a nod to Warhol’s original technique. Proceeds benefit Anderson Ranch Arts Center, supporting artist residencies and scholarships.\u003c\/p\u003e\n\u003cp data-start=\"468\" data-end=\"903\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFor more than 35 years, Sachs’s work has been featured in many exhibitions around the world and is in the collections of the Los Angeles County Museum of Art; the Solomon R. Guggenheim Museum; the Whitney Museum of American Art; the Museum of Modern Art, New York; the Centre Pompidou, Paris; the Metropolitan Museum of Art, New York; the San Francisco Museum of Modern Art; and the Astrup Fearnley Museet, Oslo. Major solo exhibitions of Sachs’s work have been on view at Art Sonje Center (2022); Hybe Insight (2022); Deichtorhallen Hamburg Hall for Contemporary Art (2021); Schauwerk Sindelfingen (2020); Tokyo Opera City Art Gallery (2019); Yerba Buena Center for the Arts (2017); Nasher Sculpture Center (2017); Sogetsu Kaikan (2016); Brooklyn Museum (2016); The Isamu Noguchi Foundation and Garden Museum (2016); The Contemporary Austin (2015); Park Avenue Armory (2012); The Aldrich Contemporary Art Museum (2009); Fondazione Prada, Milan (2006); Deutsche Guggenheim, Berlin (2003); and SITE SANTA FE (1990).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSachs lives and works in New York, where he leads his studio team in a multi-disciplinary art practice across sculpture, painting, ceramics, industrial and graphic design, and movie making. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan data-sheets-root=\"1\"\u003eSTATEMENT:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003e“Elizabeth Ferrill, the director of painting and printmaking at Anderson Ranch, bullied me into doing this print. I never liked doing prints. I felt like they were always too robotic. But then she showed me in depth how to make it beautiful. \u003cbr\u003e\u003cbr\u003eWe followed the method that Andy Warhol did. When Warhol made his prints of real people, he would obsessively take portraits of them to find their best angles. I didn't want to make a print of a person I know. I wanted to make a print of someone better than everyone I know, a true utopian.\u003cbr\u003e\u003cbr\u003eI took my favorite Hasbro Yoda action figure from Star Wars: Episode 1 – The Phantom Menace. It’s the only Yoda that matters. It was $7 on eBay. It’s the best Yoda. He's balding, middle aged, super aggressive, and a pugilist like me. He comes seated in a Jedi Council chair. \u003cbr\u003e\u003cbr\u003eI placed Yoda in the right light and started moving around him shooting, looking for just the right angle. I used the camera all real photographers use, an iPhone. I obsessed over the photo and worked on it for a week until I got the perfect one. \u003cbr\u003e\u003cbr\u003eThen Liz and I worked on the print along with her husband, Brian Shure, who is the master print maker at Anderson Ranch. We made 27 discrete silk screens and printed in four colors. We pulled pigment across the screens, one by one, while adding real diamond dust, the same kind Warhol used in his paintings.\u003cbr\u003e\u003cbr\u003eThere’s a hand-made uniqueness to each print and for people who frame them, some of the diamond dust will fall to the bottom in a singular, sculptural pile. \u003cbr\u003e\u003cbr\u003eI always love going to Anderson Ranch and it’s a privilege to help raise money with these prints for such an important artist’s residency and its scholarships.”\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"TOM SACHS (B. 1966)","offers":[{"title":"Default Title","offer_id":43038555930694,"sku":"JP0325082","price":25000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0594\/8339\/0022\/files\/JP0325082_1_1_50.jpg?v=1747246016"},{"product_id":"mkt-curated-by-ochiai-shohei-b-1988-1-0-millionaires-sunglasses","title":"1.0 Millionaires Sunglasses","description":"\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003eOCHIAI SHOHEI (B. 1988)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-sheets-root=\"1\"\u003e1.0 Millionaires Sunglasses\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003esigned and dated ‘2025 Shohei Ochiai’ (on the reverse)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003epaper, graphite, colored pencil, acrylic and varnish on wooden panels\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003e10 3\/16 x 20 7\/16 inches (25.9 x 51.9 cm)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003eExecuted in 2025.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan data-sheets-root=\"1\"\u003eNOTES:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eA one-of-a-kind collaboration between Japanese artist Ochiai Shohei and Pharrell Williams, this electrifying work takes on the iconography of Pharrell’s signature Millionaire sunglasses—rendered in Shohei’s unmistakably bold and tactile style. The super-chunky frame is so exaggerated it spills beyond the bounds of the canvas, becoming a sculptural object in itself. The gold detailing is impossibly intricate, inviting the viewer to get lost in its ornate surface. This painting isn’t just a portrait of an object—it’s a maximalist tribute to individuality and ornamentation. So treasured was the work that Shohei personally flew it to Paris, ensuring its safe arrival and full impact.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003eOchiai Shohei is a Japanese artist known for his vivid, textural interpretations of everyday objects. He graduated from the Product Design Department at Tama Art University, where he developed his signature visual language—marked by bold, expressive lines, sculptural depth, and dynamic, often unpredictable forms. Working primarily in painting and drawing, Shohei transforms mundane items into charged, larger-than-life portraits.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"OCHIAI SHOHEI (B. 1988)","offers":[{"title":"Default Title","offer_id":43225599901766,"sku":"JP0225077","price":10000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0594\/8339\/0022\/files\/250119_ShoheiOchiai_product1_2500x2500_1.jpg?v=1748800213"},{"product_id":"mkt-curated-by-ochiai-shohei-b-1988-baseball-life","title":"Baseball Life","description":"\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003eOCHIAI SHOHEI (B. 1988)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003e\u003cem\u003eBaseball Life\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003esigned and dated ‘2025 Shohei Ochiai’ (on the reverse)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003epaper, graphite, colored pencil, acrylic and varnish on wooden panels\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003e15 3\/4 x 19 11\/16 x 1 9\/16 inches (40 x 50 x 4 cm)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003eExecuted in 2025.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003e\u003cem\u003e\"I created this piece, imagining a young baseball kid. To make it realistic, the stitchings on the cap are created by layering paper, adding a playful touch to the work.\" \u003c\/em\u003e- Ochiai Shohei \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cstrong\u003eNOTES:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003e\u003cbr\u003eCommissioned specifically for JOOPITER Marketplace, Baseball Life is Ochiai Shohei’s vibrant tribute to America’s favorite pastime. With his signature texture and color-blocked dimensionality, Shohei transforms baseballs, home plates, and stadium fields into whimsical totems of memory and motion. At the center, a Los Angeles Dodgers ball anchors the composition—symbolizing both Shohei’s love for the game and his deepening connection to American culture.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003ePlayful, personal, and meticulously painted, Baseball Life captures the joy and geometry of sport through the eyes of an artist whose practice thrives on obsessive detail and bold visual language.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003eOchiai Shohei is a Japanese artist known for his vivid, textural interpretations of everyday objects. He graduated from the Product Design Department at Tama Art University, where he developed his signature visual language—marked by bold, expressive lines, sculptural depth, and dynamic, often unpredictable forms. Working primarily in painting and drawing, Shohei transforms mundane items into charged, larger-than-life portraits.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"OCHIAI SHOHEI (B. 1988)","offers":[{"title":"Default Title","offer_id":43225600557126,"sku":"JP0325008","price":3000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0594\/8339\/0022\/files\/DSCF3924.jpg?v=1748643897"},{"product_id":"mkt-curated-by-ochiai-shohei-b-1988-super-shock","title":"SUPER SHOCK","description":"\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003eOCHIAI SHOHEI (B. 1988)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cem\u003eSUPER SHOCK\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003esigned and dated ‘2025 Shohei Ochiai’ (on the reverse)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003epaper, graphite, colored pencil, acrylic and varnish on wooden panels\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003e15 3\/4 x 7 7\/8 x 1 9\/16 inches (40 x 20 x 4 cm)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003eExecuted in 2025.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003e\u003cem\u003e\"I drew a Japanese watch brand worn by Pharrell, representing the best of Japan. The dial subtly hints at Pharrell’s birthday.\"\u003c\/em\u003e - Ochiai Shohei\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cstrong\u003eNOTES:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003eIn SUPER SHOCK, Ochiai Shohei reimagines the iconic G-Shock watch as an oversized emblem of durability and design. Towering vertically on canvas, the legendary timepiece is rendered in Shohei’s trademark hyper-textured, graphic style—every button, bevel, and numeral painstakingly articulated with obsessive care.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003eAgainst a dark, almost industrial backdrop, the watch pulses with presence: bold, brutalist, and slightly surreal. It’s a tribute not just to a pop cultural staple, but to the idea of resilience itself—invincible, wearable technology turned into a monumental symbol of time and toughness.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003eOchiai Shohei is a Japanese artist known for his vivid, textural interpretations of everyday objects. He graduated from the Product Design Department at Tama Art University, where he developed his signature visual language—marked by bold, expressive lines, sculptural depth, and dynamic, often unpredictable forms. Working primarily in painting and drawing, Shohei transforms mundane items into charged, larger-than-life portraits. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"OCHIAI SHOHEI (B. 1988)","offers":[{"title":"Default Title","offer_id":43225600589894,"sku":"JP0325009","price":2000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0594\/8339\/0022\/files\/DSCF3984.jpg?v=1748644076"},{"product_id":"sacai-x-seventeen-t-shirt-black","title":"Sacai x Seventeen T Shirt Black","description":"","brand":"Joopiter22 Local","offers":[{"title":"XL","offer_id":43286864429126,"sku":"12345","price":50.0,"currency_code":"USD","in_stock":true},{"title":"L","offer_id":43471805579334,"sku":"78910","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0594\/8339\/0022\/files\/25-01076S001BLACK01.jpg?v=1749223306"},{"product_id":"syeds-test-item","title":"Do not buy - Ship station test item only","description":"\u003cp\u003eThe Air Jordan 1 High OG \"Bred\" (short for “Black and Red”) is one of the most iconic sneakers in history. 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